My work began as a study of the human figure, which I used to explore ideas of space and color. It has evolved into an exploration of energy and relationships. These ideas are enhanced by my use of color and division of space. I use the figure because I believe that people can relate to it, which develops a dialogue between the art and the viewer. This creates the potential for a subjective narrative, which is the ability of the viewer to create their own unique story in each piece as they react to the work.

The division of space in each work contributes to the narrative and also plays a role in how the energy and relationships of each figure are seen. By dividing the figure, I either create depth in the canvas or I flatten the picture plane. However, dividing the figure with organic lines tends to draw the viewer into the piece whereas the use of harder geometric divisions often pushes the viewer out. Both methods of dividing the figure affect the subjective narrative as well as the relationships of the figures. By subdividing certain areas within a figure, I create an energy center within that figure. In the pieces depicting two figures, the spatial divisions, orientation of one figure to the other, and the means of division contribute to the narrative aspect of each piece.

Color plays a prominent role in my work. Its primary function is to be fun and exciting and to bring emotion and energy to the work. Color is also utilized to create depth and attract the viewer's attention. These qualities lead me to frequently use bright, intense colors and to create simultaneous contrast that intensifies the colors. My use of color is directly related to the energy and mood that I create within each piece. These colors give each figure its own energy while the simultaneous contrast is a visual representation of the interaction of energy fields. Overall, the figure, space, and color become intertwined within each piece creating a unique combination of energy and relationships.

rev. Dec-04